Tree
-
- Introduction
- NABOKOV'S FACTOGRAPHY
- NABOKOV’S CRYPTIC TRIPTYCH: GRIEF AND JOY IN “SOUNDS,” “THE CIRCLE,” AND “LANTERN SLIDES”
- VISION AND MEMORY IN NABOKOV’S “A FORGOTTEN POET”
- TIME, MEMORY, THE GENERAL, AND THE SPECIFIC IN LOLITA AND À LA RECHERCHE DU TEMPS PERDU
- PARAMNESIA, ANTICIPATORY MEMORY, AND FUTURE RECOLLECTION IN ADA
- MEMORY, IMAGE, AND COMPASSION
- MEMORY AND FiCTION IN NABOKOV’S SPEAK, MEMORY
- MEMORY’S INVISIBLE MANAGERS
- TIME, HISTORY AND OTHER PHANTOMS IN THE REAL LIFE OF SEBASTIAN KNIGHT
- BIOGRAPHER AS IMPOSTOR: BANVILLE AND NABOKOV
- MEMORIES TRICK – MEMORIES MIX
- TRANSPARENT THINGS, VISIBLE SUBJECTS
- VLADIMIR NABOKOV’S ONTOLOGICAL AESTHETICISM FROM THE RENAISSANCE TO TRANSHUMANISM
- REMINISCENCE AND SUBCONSCIOUS SACRALISATION OF THE KIN IN THE GIFT
- THE REALITY OF FiCTION IN THE VLADIMIR NABOKOV MUSEUM
Free access
MEMORY’S INVISIBLE MANAGERS
THE CASE OF LUZHIN
Authors: Mikołaj Wiśniewski Publication language: Angielski Number of pages: 19 Publication formats: Category: Literature & literary studies Publisher's index: - Bibliographic note: -
Reviews (0)
About authors
Mikołaj Wiśniewski
MIKOŁAJ WIŚNIEWSKI is an Associate Professor in American literature at the University of Social Sciences and Humanities in Warsaw, Poland. He defended his PhD thesis at Warsaw University in 2007. He also holds an MA degree in philosophy from Warsaw University. In 2004/2005 he was a Fulbright Scholar at the University of California, Berkeley. He has published essays on Nabokov in Polish and English (“Ada: Make-Believe Stories” in Nabokov Online Journal, vol. VIII, 2014, “Nabokov’s ‘Screen Memory’” in Nabokov Studies 15, 2017).