Tree
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- Introduction
- NABOKOV'S FACTOGRAPHY
- NABOKOV’S CRYPTIC TRIPTYCH: GRIEF AND JOY IN “SOUNDS,” “THE CIRCLE,” AND “LANTERN SLIDES”
- VISION AND MEMORY IN NABOKOV’S “A FORGOTTEN POET”
- TIME, MEMORY, THE GENERAL, AND THE SPECIFIC IN LOLITA AND À LA RECHERCHE DU TEMPS PERDU
- PARAMNESIA, ANTICIPATORY MEMORY, AND FUTURE RECOLLECTION IN ADA
- MEMORY, IMAGE, AND COMPASSION
- MEMORY AND FiCTION IN NABOKOV’S SPEAK, MEMORY
- MEMORY’S INVISIBLE MANAGERS
- TIME, HISTORY AND OTHER PHANTOMS IN THE REAL LIFE OF SEBASTIAN KNIGHT
- BIOGRAPHER AS IMPOSTOR: BANVILLE AND NABOKOV
- MEMORIES TRICK – MEMORIES MIX
- TRANSPARENT THINGS, VISIBLE SUBJECTS
- VLADIMIR NABOKOV’S ONTOLOGICAL AESTHETICISM FROM THE RENAISSANCE TO TRANSHUMANISM
- REMINISCENCE AND SUBCONSCIOUS SACRALISATION OF THE KIN IN THE GIFT
- THE REALITY OF FiCTION IN THE VLADIMIR NABOKOV MUSEUM
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NABOKOV’S CRYPTIC TRIPTYCH: GRIEF AND JOY IN “SOUNDS,” “THE CIRCLE,” AND “LANTERN SLIDES”
Authors: Stephen H. Blackwell Publication language: Number of pages: 31 Publication formats: Category: Literature & literary studies Publisher's index: - Bibliographic note: -
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About authors
Stephen H. Blackwell
STEPHEN H. BLACKWELL is Professor of Russian, The University of Tennessee, Knoxville. A past president and current Board member of the International Vladimir Nabokov Society, he is the author of Zina's Paradox: The Figured Reader in Nabokov's Gift,The Quill and the Scalpel: Nabokov's Art and the Worlds of Science and co-editor of Fine Lines: Vladimir Nabokov's Scientific Art. His recent work explores the roles of Pushkin and Dostoevsky in Nabokov's narrative strategies. He is currently working on a monograph on trees in Nabokov and collaborating on a book of translations of Yuli Aikhenvald's essays into English, among other projects.