Tree
-
- Introduction
- NABOKOV'S FACTOGRAPHY
- NABOKOV’S CRYPTIC TRIPTYCH: GRIEF AND JOY IN “SOUNDS,” “THE CIRCLE,” AND “LANTERN SLIDES”
- VISION AND MEMORY IN NABOKOV’S “A FORGOTTEN POET”
- TIME, MEMORY, THE GENERAL, AND THE SPECIFIC IN LOLITA AND À LA RECHERCHE DU TEMPS PERDU
- PARAMNESIA, ANTICIPATORY MEMORY, AND FUTURE RECOLLECTION IN ADA
- MEMORY, IMAGE, AND COMPASSION
- MEMORY AND FiCTION IN NABOKOV’S SPEAK, MEMORY
- MEMORY’S INVISIBLE MANAGERS
- TIME, HISTORY AND OTHER PHANTOMS IN THE REAL LIFE OF SEBASTIAN KNIGHT
- BIOGRAPHER AS IMPOSTOR: BANVILLE AND NABOKOV
- MEMORIES TRICK – MEMORIES MIX
- TRANSPARENT THINGS, VISIBLE SUBJECTS
- VLADIMIR NABOKOV’S ONTOLOGICAL AESTHETICISM FROM THE RENAISSANCE TO TRANSHUMANISM
- REMINISCENCE AND SUBCONSCIOUS SACRALISATION OF THE KIN IN THE GIFT
- THE REALITY OF FiCTION IN THE VLADIMIR NABOKOV MUSEUM
BIOGRAPHER AS IMPOSTOR: BANVILLE AND NABOKOV
Authors: Irena Księżopolska Publication language: Angielski Number of pages: 28 Publication formats: Category: Literature & literary studies Publisher's index: - Bibliographic note: -
Reviews (0)
About authors
Irena Księżopolska
IRENA KSIEZOPOLSKA, Assistant Professor at Vistula University, teaches British and American literature and culture. She published the monograph The Web of Sense: Patterns of Involution in Selected Works of Virginia Woolf and Vladimir Nabokov (2012). She also authored many essays and articles on 19th, 20th and 21st Century writers. She is currently working on a book on Ian McEwan’s fictions.