Tree
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- Introduction
- NABOKOV'S FACTOGRAPHY
- NABOKOV’S CRYPTIC TRIPTYCH: GRIEF AND JOY IN “SOUNDS,” “THE CIRCLE,” AND “LANTERN SLIDES”
- VISION AND MEMORY IN NABOKOV’S “A FORGOTTEN POET”
- TIME, MEMORY, THE GENERAL, AND THE SPECIFIC IN LOLITA AND À LA RECHERCHE DU TEMPS PERDU
- PARAMNESIA, ANTICIPATORY MEMORY, AND FUTURE RECOLLECTION IN ADA
- MEMORY, IMAGE, AND COMPASSION
- MEMORY AND FiCTION IN NABOKOV’S SPEAK, MEMORY
- MEMORY’S INVISIBLE MANAGERS
- TIME, HISTORY AND OTHER PHANTOMS IN THE REAL LIFE OF SEBASTIAN KNIGHT
- BIOGRAPHER AS IMPOSTOR: BANVILLE AND NABOKOV
- MEMORIES TRICK – MEMORIES MIX
- TRANSPARENT THINGS, VISIBLE SUBJECTS
- VLADIMIR NABOKOV’S ONTOLOGICAL AESTHETICISM FROM THE RENAISSANCE TO TRANSHUMANISM
- REMINISCENCE AND SUBCONSCIOUS SACRALISATION OF THE KIN IN THE GIFT
- THE REALITY OF FiCTION IN THE VLADIMIR NABOKOV MUSEUM
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MEMORIES TRICK – MEMORIES MIX
TRANSPARENT THINGS
Authors: Akiko Nakata Publication language: Number of pages: 20 Publication formats: Category: Literature & literary studies Publisher's index: - Bibliographic note: -
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Akiko Nakata
AKIKO NAKATA is Professor of English at Nanzan University in Japan. She is a founding member of the Nabokov Society of Japan. She co-translated into Japanese, with Tadashi Wakashima, Transparent Things (2002). Her publications in English on Nabokov include “Rose and Aquamarine: Liza in Pnin,” The Nabokovian 48 (2002), “Repetition and Ambiguity: Reconsidering Mary,” Zembla (2005), “A Failed Reader Redeemed: ‘Spring in Fialta’ and The Real Life of Sebastian Knight,” Nabokov Studies 11 (2007/2008), “Some Spiritual Subtexts Hidden in Transparent Things,” Revising Nabokov Revising: The Proceedings of the International Nabokov Conference Kyoto (2010), “The Last Muse Escapes the Text,” Nabokov Online Journal V (2012) and “Narrating her own absence: the narrator and protagonist of ‘A Slice of Life’,” Women in Nabokov’s Life and Art (2016).