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• Vladimir Nabokov and the Fictions of Memory
  • Introduction
  • NABOKOV'S FACTOGRAPHY
  • NABOKOV’S CRYPTIC TRIPTYCH: GRIEF AND JOY IN “SOUNDS,” “THE CIRCLE,” AND “LANTERN SLIDES”
  • VISION AND MEMORY IN NABOKOV’S “A FORGOTTEN POET”
  • TIME, MEMORY, THE GENERAL, AND THE SPECIFIC IN LOLITA AND À LA RECHERCHE DU TEMPS PERDU
  • PARAMNESIA, ANTICIPATORY MEMORY, AND FUTURE RECOLLECTION IN ADA
  • MEMORY, IMAGE, AND COMPASSION
  • MEMORY AND FiCTION IN NABOKOV’S SPEAK, MEMORY
  • MEMORY’S INVISIBLE MANAGERS
  • TIME, HISTORY AND OTHER PHANTOMS IN THE REAL LIFE OF SEBASTIAN KNIGHT
  • BIOGRAPHER AS IMPOSTOR: BANVILLE AND NABOKOV
  • MEMORIES TRICK – MEMORIES MIX
  • TRANSPARENT THINGS, VISIBLE SUBJECTS
  • VLADIMIR NABOKOV’S ONTOLOGICAL AESTHETICISM FROM THE RENAISSANCE TO TRANSHUMANISM
  • REMINISCENCE AND SUBCONSCIOUS SACRALISATION OF THE KIN IN THE GIFT
  • THE REALITY OF FiCTION IN THE VLADIMIR NABOKOV MUSEUM