Drzewo
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- Introduction
- NABOKOV'S FACTOGRAPHY
- NABOKOV’S CRYPTIC TRIPTYCH: GRIEF AND JOY IN “SOUNDS,” “THE CIRCLE,” AND “LANTERN SLIDES”
- VISION AND MEMORY IN NABOKOV’S “A FORGOTTEN POET”
- TIME, MEMORY, THE GENERAL, AND THE SPECIFIC IN LOLITA AND À LA RECHERCHE DU TEMPS PERDU
- PARAMNESIA, ANTICIPATORY MEMORY, AND FUTURE RECOLLECTION IN ADA
- MEMORY, IMAGE, AND COMPASSION
- MEMORY AND FiCTION IN NABOKOV’S SPEAK, MEMORY
- MEMORY’S INVISIBLE MANAGERS
- TIME, HISTORY AND OTHER PHANTOMS IN THE REAL LIFE OF SEBASTIAN KNIGHT
- BIOGRAPHER AS IMPOSTOR: BANVILLE AND NABOKOV
- MEMORIES TRICK – MEMORIES MIX
- TRANSPARENT THINGS, VISIBLE SUBJECTS
- VLADIMIR NABOKOV’S ONTOLOGICAL AESTHETICISM FROM THE RENAISSANCE TO TRANSHUMANISM
- REMINISCENCE AND SUBCONSCIOUS SACRALISATION OF THE KIN IN THE GIFT
- THE REALITY OF FiCTION IN THE VLADIMIR NABOKOV MUSEUM
Dostęp darmowy
TIME, MEMORY, THE GENERAL, AND THE SPECIFIC IN LOLITA AND À LA RECHERCHE DU TEMPS PERDU
Autorzy: Dana Dragunoiu Język publikacji: Angielski Liczba stron: 23 Formaty publikacji: Kategoria: Literature & literary studies Indeks wydawcy: - Nota bibliograficzna: -
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O autorach
Dana Dragunoiu
DANA DRAGUNOIU is Associate Professor of English at Carleton University in Ottawa, Canada. Her monograph Vladimir Nabokov and the Poetics of Liberalism was published in 2011 by Northwestern University Press. She is currently working on a study of Nabokov’s ethics and serves as General Editor of TheNabokovian.org. In addition to her work on Nabokov, she has published essays on J. M. Coetzee, Ernest Hemingway, Stendhal, and contemporary film.