Drzewo
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- Introduction
- NABOKOV'S FACTOGRAPHY
- NABOKOV’S CRYPTIC TRIPTYCH: GRIEF AND JOY IN “SOUNDS,” “THE CIRCLE,” AND “LANTERN SLIDES”
- VISION AND MEMORY IN NABOKOV’S “A FORGOTTEN POET”
- TIME, MEMORY, THE GENERAL, AND THE SPECIFIC IN LOLITA AND À LA RECHERCHE DU TEMPS PERDU
- PARAMNESIA, ANTICIPATORY MEMORY, AND FUTURE RECOLLECTION IN ADA
- MEMORY, IMAGE, AND COMPASSION
- MEMORY AND FiCTION IN NABOKOV’S SPEAK, MEMORY
- MEMORY’S INVISIBLE MANAGERS
- TIME, HISTORY AND OTHER PHANTOMS IN THE REAL LIFE OF SEBASTIAN KNIGHT
- BIOGRAPHER AS IMPOSTOR: BANVILLE AND NABOKOV
- MEMORIES TRICK – MEMORIES MIX
- TRANSPARENT THINGS, VISIBLE SUBJECTS
- VLADIMIR NABOKOV’S ONTOLOGICAL AESTHETICISM FROM THE RENAISSANCE TO TRANSHUMANISM
- REMINISCENCE AND SUBCONSCIOUS SACRALISATION OF THE KIN IN THE GIFT
- THE REALITY OF FiCTION IN THE VLADIMIR NABOKOV MUSEUM
VLADIMIR NABOKOV’S ONTOLOGICAL AESTHETICISM FROM THE RENAISSANCE TO TRANSHUMANISM
Autorzy: Vyatcheslav Bart Język publikacji: Angielski Liczba stron: 24 Formaty publikacji: Kategoria: Literature & literary studies Philosophy Humanities Indeks wydawcy: - Nota bibliograficzna: -
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O autorach
Vyatcheslav Bart
VYATCHESLAV BART, M.A., is an English-language Russian fiction writer, residing in Israel, and an advanced doctoral candidate in English Literature at TAU. In both fictional and academic work he focuses on the artistic creative process and on art interpreted as an epistemological and ontological concept. His disstertation focuses on “anti-criticism” – the refusal by a category of peculiarly anti-rationalist writers and artists to accept academic criticism and theory. Academic publications include: “Critical Illusions: Anti-Criticism in Vladimir Nabokov as a Practice Which Originates in the Early Renaissance” and “Futurist, Decadent, and Pagan Influences in Transhumanism: The Dangers of Godlike Creativity.”