Wie jede Geschichte lässt sich auch die des Films nicht nur als zeitliches Phänomen fassen, sondern auch in der Spezifik betrachten, mit der sie sich...
Das Buch nimmt die Frage zum Ausgangspunkt, inwiefern sich die Gefühlsqualität filmischer Bilder analytisch qualifizieren lässt. Lassen sich...
Despite its unabated popularity with audiences, slapstick has received rather little scholarly attention, mostly by scholars concentrating on the US...
How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke...
Metaphors in audiovisual media receive increasing attention from film and communication studies as well as from linguistics and multimodal metaphor...
Writing on the relationship between war and cinema has largely been dominated by an emphasis on optics and weaponised vision. However, as this...