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De Gruyter, 2018 ISBN: 9783110580808Description:Writing on the relationship between war and cinema has largely been dominated by an emphasis on optics and weaponised vision. However, as this...
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De Gruyter, 2018 ISBN: 9783110579710Description:Writing on the relationship between war and cinema has largely been dominated by an emphasis on optics and weaponised vision. However, as this...
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De Gruyter, 2018 ISBN: 9783110580785Description:Metaphors in audiovisual media receive increasing attention from film and communication studies as well as from linguistics and multimodal metaphor...
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De Gruyter, 2018 ISBN: 9783110579789Description:Metaphors in audiovisual media receive increasing attention from film and communication studies as well as from linguistics and multimodal metaphor...
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De Gruyter, 2019 ISBN: 9783110580761Description:How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke...
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De Gruyter, 2019 ISBN: 9783110579727Description:How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke...
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De Gruyter, 2021 ISBN: 9783110571981Description:Despite its unabated popularity with audiences, slapstick has received rather little scholarly attention, mostly by scholars concentrating on the US...
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De Gruyter, 2021 ISBN: 9783110570977Description:Despite its unabated popularity with audiences, slapstick has received rather little scholarly attention, mostly by scholars concentrating on the US...
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Photography & photographs Film, TV & radio Films, cinema Film theory & criticism Music Media studiesAudiovisuelle Rhythmen: Filmmusik, Bewegungskomposition und die dynamische Affizierung des Zuschauers
Jan-Hendrik Bakels
De Gruyter, 2016 ISBN: 9783110491210Description:Das Buch nimmt die Frage zum Ausgangspunkt, inwiefern sich die Gefühlsqualität filmischer Bilder analytisch qualifizieren lässt. Lassen sich...
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De Gruyter, 2020 ISBN: 9783110616033Description:Wie jede Geschichte lässt sich auch die des Films nicht nur als zeitliches Phänomen fassen, sondern auch in der Spezifik betrachten, mit der sie sich...
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