Tree
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- Introduction
- NABOKOV'S FACTOGRAPHY
- NABOKOV’S CRYPTIC TRIPTYCH: GRIEF AND JOY IN “SOUNDS,” “THE CIRCLE,” AND “LANTERN SLIDES”
- VISION AND MEMORY IN NABOKOV’S “A FORGOTTEN POET”
- TIME, MEMORY, THE GENERAL, AND THE SPECIFIC IN LOLITA AND À LA RECHERCHE DU TEMPS PERDU
- PARAMNESIA, ANTICIPATORY MEMORY, AND FUTURE RECOLLECTION IN ADA
- MEMORY, IMAGE, AND COMPASSION
- MEMORY AND FiCTION IN NABOKOV’S SPEAK, MEMORY
- MEMORY’S INVISIBLE MANAGERS
- TIME, HISTORY AND OTHER PHANTOMS IN THE REAL LIFE OF SEBASTIAN KNIGHT
- BIOGRAPHER AS IMPOSTOR: BANVILLE AND NABOKOV
- MEMORIES TRICK – MEMORIES MIX
- TRANSPARENT THINGS, VISIBLE SUBJECTS
- VLADIMIR NABOKOV’S ONTOLOGICAL AESTHETICISM FROM THE RENAISSANCE TO TRANSHUMANISM
- REMINISCENCE AND SUBCONSCIOUS SACRALISATION OF THE KIN IN THE GIFT
- THE REALITY OF FiCTION IN THE VLADIMIR NABOKOV MUSEUM
TIME, HISTORY AND OTHER PHANTOMS IN THE REAL LIFE OF SEBASTIAN KNIGHT
Authors: Andrzej Księżopolski Publication language: Angielski Number of pages: 23 Publication formats: Category: Literature & literary studies Publisher's index: - Bibliographic note: -
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About authors
Andrzej Księżopolski
ANDRZEJ KSIEZOPOLSKI has a degree in history and is a graduate of the Institute of History, University of Warsaw, where he was researching the Russian emigration in the aftermath of World War I and the October Revolution. He is currently is a doctoral student at the Institute of English Studies, University of Warsaw. His dissertation topic is (Re)definitions of History in Julian Barnes’ Fiction and his research focuses on the use of history and time in contemporary British and American fiction. He published essays on Julian Barnes, Ian McEwan and Vladimir Nabokov (on the connection of the plot in Glory with “TRUST” affair).